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King Lear
Goneril
Regan
Edmund
Edgar
The Fool
Cordelia
truth-teller
Harps on Lear's foolishness.
Helps to drive Lear mad.
Is able to speak without the inhibitions of custom and society.
Has the audience on their side.
Something between a "pimp and a gigolo."
Oswald
Arouses sympathy in spite of his evil deeds.
Drawn to Cornwall at their first meeting
Purely functional.
Acts as a commentator and chorus.
Develops by role playing.
Gloucester
Easily deceived.
Believes in astrology.
Dies of joy.
Believe they are doing their duty.
Attacks Lear's knights as part of a strategy.
Violently jealous.
Proud.
Opposite sides of the moral fence.
Cornwall
Humane sentiments are regarded as vices.
Flattered for so long he can no longer distinguish the genuine and the false.
His rage is a measure of his disappointment.
His interactions show he has not been entirely ruined by absolute power.
He realises that all human life is inescapably tragic.
He oscillates between hope and despair.

King Lear 2
Instructions | More on the Hexagons Approach

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