Harps on Lear's foolishness.
Is able to speak without the inhibitions of custom and society.
Has the audience on their side.
Something between a "pimp and a gigolo."
Arouses sympathy in spite of his evil deeds.
Drawn to Cornwall at their first meeting
Acts as a commentator and chorus.
Develops by role playing.
Believe they are doing their duty.
Attacks Lear's knights as part of a strategy.
Opposite sides of the moral fence.
Humane sentiments are regarded as vices.
Flattered for so long he can no longer distinguish the genuine and the false.
His rage is a measure of his disappointment.
His interactions show he has not been entirely ruined by absolute power.
He realises that all human life is inescapably tragic.
He oscillates between hope and despair.